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Mond und Erde

Reminder that this image is real.

From a million miles away, NASA captured Moon crossing face of Earth.

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— Space (@redditspaceviewes.bsky.social) 22. Dezember 2024 um 11:23

Studio

Weitere Seufzerskulpturen

Für die Wittener Tage ’25

SIGH WAVES
3d printed sculptures from sound waves of sighs

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— Johannes Kreidler (@kreidler.bsky.social) 17. Dezember 2024 um 16:03

Hier klicken

12.000 Jahre alte Zeichnungen

Felszeichnungen im kolumbianischen Amazonasgebiet, erst jüngst entdeckt.

Absolut krass dass das jemand vor 12.500 Jahren gemalt hat

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— END HISTORY NOW 🫵 (@rinders.bsky.social) 16. Oktober 2024 um 22:28

Wie man den Böllerern das Böllern abgewöhnt

Wie man Menschen das Böllern abgewöhnt 😂

#Silvester #Feuerwerk #Böllerverbot #vegan

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— Detlef Sattler (@siebengebirge.bsky.social) 28. Dezember 2024 um 08:08

Seen in der Sahara

Vor noch gar nicht so langer Zeit

Who is old enough to remember the good old days (7000 BCE) when you could go for a swim in the ancient lakes of the Sahara? Source: buff.ly/3syiGsb

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— Simon Kuestenmacher (@simongerman600.bsky.social) 25. Dezember 2024 um 21:33

BENDS for motor flexatones

BENDS for motor flexatones (2024)
#1 tremor as controlled oscillation
#2 incidentally, I was a biased bodger

Der Übergang zu Paul Klees Spätwerk

…und zwar in Gänze. Alle Werke Klees 1934-1938. I love it.

»Fun and Games: A Conversation with Johannes Kreidler«

Letztes Jahr hat mich Max Erwin interviewt, es steht online.

»Fun and Games: A Conversation with Johannes Kreidler«
Johannes Kreidler, Max Erwin

This conversation is related to the essay by Max Erwin, Cyberbored/Culture-Jammed: The Short-Circuit of
Musical Progress included in Nuove musiche, no. 6, 2019, in the context of the project Writing <–> Technology.
Composers 1973-1983 (G. Albert, A. Valle, eds., Nuove musiche, 5-7).

Jokes! Jokes are made and then absorbed into our ‘fun’ society.
Claus-Steffen Mahnkopf, at ‘Forum: Excess’, Lichtenbergschule Mensa, 4 August 2016

EDITOR’S NOTE: In order to remain as up-to-date as possible, this conversation between Max Erwin (M. E.) and the composer Johannes Kreidler (J. K.) has been augmented with jokes from an AI chatbot (AI). This particular chatbot was trained on a dataset of Daily Mail articles describing popular emoji usage by teenagers to ensure the best possible reproduction of relevant, edgy humour. These AI jokes should thus be of a wide interest to those involved in the most cutting-edge of new music and, more broadly, the intersection of art and technology. The interview has been edited for clarity and length.

https://www.nuovemusiche.it/Handler/handlerObject.ashx?id=3ba14ca0-8942-4b29-9c5a-c22794885e18|