Kulturtechno

In der aktuellen Ausgabe der „Positionen“: Ein Essay von Nina Noeske, der sich intensiv mit dem Thema „Geld“ in meiner Arbeit befasst. Darin auch die Transkription eines ulkigen Dialogs zwischen Stefan Fricke und mir im Rahmen meines Stücks Audioguide in Darmstadt 2014.
Dank an Nina und das Positionen Team!

https://www.positionen.berlin/

In the new issue of "Positionen": an essay by @nanoe_ni that looks very intensively at my work on the subject of "money". (in german) Including a zany conversation I had with Stefan Fricke during the music theater piece "Audioguide" 2014 at Darmstadt.https://t.co/Idd3uvQY3q pic.twitter.com/pbpun023qL

— Kreidler (@_Kreidler) February 19, 2023

Das Begleit-Video zu meiner Ausstellung in der Akademie der Künste Berlin letzten September. Hat keinen Ton.

Johannes Kreidler
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Exhibition at Akademie der Künste Berlin 2022
Video of the screening (silent)

vvvwvw… is an acoustic and visual synthesizer that opens up and expands the richness of sound waves, their formal possibilities as well as their symbolism: the wave in the image as a function taken from time, which can be arranged autonomously here; the acoustic periodicity articulated in the beating, the room resonance, the standing sine, which places the sounding natural form in space and is „played“ by the moving listener.
Since Corona, we have been practised in reading wave progressions, following their course and discussing their prognosis. In the work of art, they become the drama of hearing and seeing par excellence.