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Der Ausbau der Berliner S- und U-Bahnen seit 1902

#Heimatgeschichte

The history of Berlin’s rapid transit system, U-Bahn (Untergrundbahn, „underground railway“) and S-Bahn (Stadtschnellbahn, „city rapid railway“), from 1902 to 2021 is shown in this animation.

Notes:
The nomenclature, line colours, and routes of the services, especially for S-Bahn, have constantly changed throughout history. The video only highlights major opening, suspension of the tracks in service and does not show minor name changes, route changes, etc. I did try to capture the route and name changes of the lines as much as possible, but the video may not accurately represent the actual routes of the lines at that time as there are not enough records of these changes. Hence, these changes only happen in the background and are not shown as a separate event.
For the colours, the lines are shown in the colours that are used today unless they were previously part of a different line. (For e.g. current Line U4 was initially green as it was part of Line B, then changed to blue as it was designated as a separate Line 4 in 1966, then changed again to yellow for better visibility. In this video, the colour only changes in 1966 from green to yellow.)

Musizierende Tiere (im Mittelalter) (61)

(via / via)

Danke für den Tipp, Mathias!

Früher auf Kulturtechno:
Musizierende Tiere (im Mittelalter)
Musizierende Tiere (im Mittelalter) (2)
Musizierende Tiere (im Mittelalter) (3)
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Online-Vortrag heute 18:30 Uhr: Manifestations of Multimedia: New Conceptualism

Kommt in den Zoom-Raum!

(Plakat in groß)

Ein Film aus lauter loopenden gifs

(via mindsdelight)

Gesang der Impflinge

Nachdem letzten Herbst schon über die „Knuffelkontakte“ gewitzelt wurde.

Starkes Foto auf der Website der Deutschen Bäckerinnung

… oder vielleicht auch ein Hinweis darauf, einmal etwas nachdenklich zu werden, wenn wir uns Brot ins Gesicht halten.

Fish Stories

(via jb)

Kommentarverhalten im Internet (Symbolbild)

Pendulum Music, Diskokugel-Version

(Danke für den Tipp, Martin!)

Mein Text „On Interpretation“ erschienen

Die Pianistin Rei Nakamura hat zu ihrem großen, seit 2008 laufendes Projekt „Movement to Sound, Sound to Movement // Interpreting Multimedia Piano Compositions“ nun ein Buch herausgbracht.
Darin auch mein Aufsatz „On Interpretation“, in dem ich einerseits einige grundsätzliche Erörterungen zur Interpretation in der Neuen Musik anstelle, im zweiten Teil dann über die Interpretation(en) meiner „Studie für Klavier, Audio- und Videozuspielung“ schreibe, die ich für Rei 2011 komponiert habe.

Snip:
„Even extremely precisely notated contemporary music needs interpretation. The whole conglomerate of: types of articulation, dynamic ranges, crescendi or ritardandi processes, performance presentation, posture, questions regarding the distribution of the sound in space when using fixed media, the expression of the whole, the quality of the sound, the ability to produce a good, strong sound; all these demands on performers need interpreting. Furthermore, decisions need to be made regarding the derivation of structures from the notes, how to animate the music, translating the style of a piece into a body language—including the ability to find a body language in the first place. Maybe only if an interpreter can appropriate and absorb the music physically, understanding a piece of music can happen.“

Rei Nakamura, Marion Saxer, and Simon Tönies (eds.)
Movement to Sound, Sound to Movement
Interpreting Multimedia Piano Compositions

For many composers today, rethinking the relationship between the auditory and the visual, sound and movement, is a central concern – often connected with (but not limited to) a post-digital perspective on new media. Interestingly enough, the classical piano remains a benchmark for many of those compositions. The essays collected in this volume shed light on the potential and challenges of media-integrated piano composition from a threefold perspective: musicology, performance and composition. They explore the way in which performers deal with conceptual media set-ups (challenges that are seldom taught at music academies), what media integration means for composers today, and the ways that audio-visual concepts change the aesthetic contexts of experience.

https://www.wolke-verlag.de/musikbuecher/rei-nakamura-movement-to-sound/