György Pálfi hat einen Film aus praktisch der gesamten Kino-Ikonographie montiert.
In this experimental feature-length film that played at Cannes in 2012, director György Pálfi constructed a love story using clips from 450 films that span nearly the entire history of cinema. I was afraid this would be gimmicky, but it’s so well constructed and so smoothly adheres to the tropes of romantic movies that I got totally sucked in.
(via kottke)