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Darragh Kellys Text über (post)konzeptuelle Musik von Walshe und Kreidler

Darragh Kelly hat einen Text über die konzeptuellen Ästhetiken von Jennifer Walshe und mir geschrieben, (auch online) veröffentlicht in Writings About Music Volume IV.


This paper will analyse works by the two composers Johannes Kreidler and Jennifer Walshe, drawing comparisons and distinctions between them, in an attempt to illuminate the compositional praxis and philosophy of music found in each. Kreidler and Walshe are both recipients of the prestigious Darmstadt International Summer Course for New Music’s Kranichstein Music Prize for Composition (in 2012 and 200, respectively), and remain at the forefront of the conceptual music movement and the wider experimental music world.