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Kategorie Technologik

Introducing the amazing >Compact Disc<

In 1983, when the first compact disc players arrived on the Australian market, they ranged in price from $900-$1800. (This made them a very significant purchase, given that the Australian Bureau of Statistics says average weekly earnings were around $350/week at the time). The price didn’t hold back the rapid adoption of the technology.

But even then, as Sonia put it in her closing remarks, there was an even better technology on the horizon.

“The Compact Disc may well rule the roost – at least until someone perfects a method of putting Beethoven’s 9th on a silicon chip. Don’t laugh, I’m assured that that day, in fact, is not too far off…..”

(via kfm)

How to sing, 1902

(via oddside)

Musik und Natur

(zu meinem neuen Harfenstück, Uraufführung September 2018, Gaudeamus Music Week)

Mechanische Vogelstimmenmaschine von 1890

Was sich wie echte Vogelstimmen elektronisch anhört, sind tatsächlich kleine Pfeifen mit einem Balg.

Very cute little vintage mechanical singing bird mechanism.Made in the 1890’s in Paris, probably by Bontems. The mechanism was in a rusted and seized state and has been restored. Surprisingly even the bellows are in good original condition.

(via kfm)

Verlassene Pianos

Romain Diery fotografiert verlassene Orte. Da fielen ihm besonders auf: Klaviere.

Siehe auch Martin Grütters schönes Projekt, ein altes Klavier mit Samples zu konservieren und weiterzunutzen.

(via kfm)

Wie man Schallplatten nicht behandeln sollte

Dissonanzen für Fortgeschrittene

(via kfm)

Time Lapse: A Taste of New York

Eindrücklich gemachter Schnelldurchlauf durch New York.

(via kfm)

Geigenautomat spielt Chopin

Wenn man nun auch >ernsthaft< Stücke der Neuen Musik, Ferneyhough, Sciarrino et al da spielen könnte, was wäre das.

(via Erik)

Mit 1$-Gitarre rocken

(via Neatorama)

Stimm-Font aus Aufnahme erstellen

Die Software Lyrebird behauptet, sie könne aus nur einer Minute Stimmaufzeichnungen jegliche Formulierung und Intonation simulieren:
„Record 1 minute from someone’s voice and Lyrebird can compress her/his voice’s DNA into a unique key. Use this key to generate anything with its corresponding voice“.

Lyrebird will offer an API to copy the voice of anyone. It will need as little as one minute of audio recording of a speaker to compute a unique key defining her/his voice. This key will then allow to generate anything from its corresponding voice. The API will be robust enough to learn from noisy recordings. The following sample illustrates this feature, the samples are not cherry-picked.

Die Probleme, die das reibungslose Kopieren von Stimmen mit sich bringt, liegen auf der Hand und die InfoSec-Bruhahas sind nur die offensichtlichsten davon:

Researchers at the University of Alabama, Birmingham, led by Nitesh Saxena, were able to use Festvox to clone voices based on only five minutes of speech retrieved online. When tested against voice-biometrics software like that used by many banks to block unauthorised access to accounts, more than 80% of the fake voices tricked the computer. Alan Black, one of Festvox’s developers, reckons systems that rely on voice-ID software are now “deeply, fundamentally insecure”.

Die Entwickler von Lyrebird sind sich der Probleme ihrer Technologie bewusst, Snip von der Ethics-Section ihrer Website:

Voice recordings are currently considered as strong pieces of evidence in our societies and in particular in jurisdictions of many countries. Our technology questions the validity of such evidence as it allows to easily manipulate audio recordings. This could potentially have dangerous consequences such as misleading diplomats, fraud and more generally any other problem caused by stealing the identity of someone else.

By releasing our technology publicly and making it available to anyone, we want to ensure that there will be no such risks. We hope that everyone will soon be aware that such technology exists and that copying the voice of someone else is possible. More generally, we want to raise attention ab

Ob das nun scary ist oder nur ein im Grunde bekannter Gag, wie seit jeher Stimmimitatoren ihren Ulk betreiben, we’ll see. Verbunden mit der Lippensync-Technik könnte es schon ein weiterer Schritt sein in die Ununterscheidbarkeit von Realität und Fiktion.

(via Nerdcore)