Kulturtechno

The music concert of the future could very well be silent. Dead silent. Just like live music was replaced by vinyl record players and vinyl record players were replaced by walkmans and walkmans were replaced by iPods, iPods and other music-playing devices could be replaced by low-cost EEG brainwave-reading headsets. No more wires; no more earphones; more play buttons. Just thoughts—and scans of those thoughts, meandering about your brain. […] Such futurist speculation rests on developing brainwave technology and the devices and microchips that will use it.

http://motherboard.vice.com/read/telepathic-melodies-are-the-soundless-music-of-the-future

Siehe auch: I Am a Deaf Artist Redefining “Sound”

(via Mediateletipos)

Hatte dazu schon den Vortrag, hier noch mal dazu was in Web-Form:

https://www.newscientist.com/article/dn13355-music-special-five-great-auditory-illusions#.VI7oF3tRV1M

http://www.bbc.com/future/story/20150420-the-strangest-sounds-in-the-world

Ryan Maguire, Doktorand für Komposition und Computerwissenschaften am Virginia Center for Computer Music der University of Virginia, kehrt den Mp3- und Mp4-Algorithmus um, d.h. alles ausgefilterte wird hörbar. Anhand von Suzanne Vegas „Toms Diner“.
Ich hab schon 2008 die Idee von „3pm“ insinuiert (in dem Interview unten), und Hannes Seidl hat die Technik zur Idee eines Orchesterstücks gemacht.

(via kfm)

#Resourcenlink:

Eine Website mit freien und kostenpflichtigen Notensatz-Schriftarten
http://www.music-notation.info/en/compmus/musicfonts.html

Und hier hat jemand ein gregorianisches Stück komponiert und in Noten gesetzt. Ich möchte auch mal gerne so ein (konzeptuelles) Stück komponieren und von einer Schola gesungen kriegen. #Neid

Also eigentlich der „Lautestsprecher“.

At an output of 30,000 Watts and 165dB, this speaker can be physically dangerous – consider this:

at 135 dB you experience a slight cooling sensation from the air
at 140 dB your throat and vocal chords start to vibrate
at 142 dB your chest starts to pound intensely
at 148 dB the vibration because uncomfortable and even painful
at 150 dB you experience the overwhelming sensation of being compressed as if underwater
at 155 dB the compression and expansion from vibration is felt to the core
at 158 dB the vibration is violent, and nausea becomes intense
at 190 dB eardrums rupture 50% of the time
at 198 dB human death from sound (shock wave) alone

(via noiseaddicts)