Kulturtechno

I was sighing a lot…

3D prints of sound waves from sighs
For Wittener Tage für Neue Kammermusik 2025

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— Johannes Kreidler (@kreidler.bsky.social) 5. Januar 2025 um 15:49

Untitled
oil and acrylic on canvas (2024)
60 x 45 cm

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— Johannes Kreidler (@kreidler.bsky.social) 3. Januar 2025 um 16:20

"Caveman's Dashboard (hi)"
ink and oil on canvas (2024)
60 x 40 cm

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— Johannes Kreidler (@kreidler.bsky.social) 2. Januar 2025 um 16:02

Filigree Noetik
acrylic and ink on canvas (2024)
48 x 11 cm

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— Johannes Kreidler (@kreidler.bsky.social) 1. Januar 2025 um 16:11

Dash 1
oil on canvas (2024)
90 x 145 cm

Sound wave from a cello tone

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— Johannes Kreidler (@kreidler.bsky.social) 31. Dezember 2024 um 16:02

Studio

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— Johannes Kreidler (@kreidler.bsky.social) 29. Dezember 2024 um 18:42

Für die Wittener Tage ’25

SIGH WAVES
3d printed sculptures from sound waves of sighs

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— Johannes Kreidler (@kreidler.bsky.social) 17. Dezember 2024 um 16:03

BENDS for motor flexatones (2024)
#1 tremor as controlled oscillation
#2 incidentally, I was a biased bodger

Letztes Jahr hat mich Max Erwin interviewt, es steht online.

»Fun and Games: A Conversation with Johannes Kreidler«
Johannes Kreidler, Max Erwin

This conversation is related to the essay by Max Erwin, Cyberbored/Culture-Jammed: The Short-Circuit of
Musical Progress included in Nuove musiche, no. 6, 2019, in the context of the project Writing <–> Technology.
Composers 1973-1983 (G. Albert, A. Valle, eds., Nuove musiche, 5-7).

Jokes! Jokes are made and then absorbed into our ‘fun’ society.
Claus-Steffen Mahnkopf, at ‘Forum: Excess’, Lichtenbergschule Mensa, 4 August 2016

EDITOR’S NOTE: In order to remain as up-to-date as possible, this conversation between Max Erwin (M. E.) and the composer Johannes Kreidler (J. K.) has been augmented with jokes from an AI chatbot (AI). This particular chatbot was trained on a dataset of Daily Mail articles describing popular emoji usage by teenagers to ensure the best possible reproduction of relevant, edgy humour. These AI jokes should thus be of a wide interest to those involved in the most cutting-edge of new music and, more broadly, the intersection of art and technology. The interview has been edited for clarity and length.

https://www.nuovemusiche.it/Handler/handlerObject.ashx?id=3ba14ca0-8942-4b29-9c5a-c22794885e18|