0:00 Seven measures-phrase
2:26 Parallel 5ths
4:16 the weird horn outburst
5:22 „Wrong crooks“
8:01 start of a fugue that never continues
14:50 Strange Cadenza
15:56 young Beethoven thought: “let’s use that, but not as a joke and in a minor key”
16:00 makes fun of sections not coming in for an entrance together
16:05 Ten measures-phrase
16:52 „Extreme trill“
16:59 Alleluja from K 165
18:53 „Very extreme trill“
20:12 Polytonality
Plus the haphazard mixture of figures: 2:18 a lyrical motif randomly wedged between those clunky bars, and 5:53 a boisterous fanfare slapped onto the end of what should be a delicate minuet
And 10:29 – 10:44 accents all over the place and clashing between first violin and the other instruments