In graphic score >Music-19< #10 , Johannes Kreidler offers some fresh food for imagination and imagining the process of listening, through creating abstract, aurally implausible ear trumpets. Yet when I look at them I cannot help but start thinking of them as maybe plausible–if one is to start thinking of different ways to hear and listen. In this interpretation and through the performance, I try to share those thoughts in an active, activating way. The process of performance is an invitation to join the exploration of ways of hearing and listening, and the idea that one could always use some more perceptiveness and continuous adjusting in order to better hear, listen, understand, in which eternity can be the "shortest possible" portion of time. All the sound material played during the performance is derived from one chord of Beethoven's last string quartet, written shortly before his death. If sound and time would stop and one would be able to experience the inner vibrations with a sense of eternal lasting–what would this sound feel like? If one would be able to keep the intensity and energy and aura of the sixteenth-note length Beethoven wrote on that last sixteenth note of bar 29 from movement III of the String quartet no.16 op.135, how would that sound field feel like, when lasting indefinitely? How he might have felt it, beyond the memory of how it sounded? How one might feel and hear, beyond the memory of sounding? This video is documentation of the first live performance of the piece that took place in Create Lab (Huddersfield, UK), on March 1st.
Music-19 – weitere Interpretation von Dejana Sekulic
Neues von der Meme-Front
#PutinTroll wollen die Kapitulation der Ukraine. Das sind die Typen, die sich für jeden Fascho auf den Rücken werfen. pic.twitter.com/VdPlYANEJh
— Manuela Kant (@KantManuela) March 20, 2022
See (Lake)
See (Lake)
2021/2022, 120×160 cm
Canvas Print, Acrylic Paint and manual Glaze
See (Lake)
2021/2022, 120×160 cm
Canvas Print, Acrylic Paint and manual Glaze pic.twitter.com/DVPP0BV0d2— Kreidler (@_Kreidler) March 20, 2022
Rhythm Phase Pattern Visualisation
projectjdm does amazing work animating rhythm visualizers in MATLAB, and also does some of the best transcriptions on the net! Here’s our transcription (the music notation in the background) of their recent viral sound animation (the bouncing balls) pic.twitter.com/S2OwbQYeXm
— score follower (@incipitsify) March 12, 2022
Kreidler in 4 Minutes
Mein >Showreel< von 2015, etwas aktualisiert.
Früher auf Kulturtechno:
Scanner Studies
Scanner Studies 2
Toller Ansatz: Ein Zaubertrick, und danach noch mal aber alles erklärt. Mindert den Effekt, entgegen dem landläufigen Glauben, ein Zauberer dürfe niemals seinen eigenen Trick erklären, gar nicht bzw. hebt ihn noch mal höher: es zeigt sich erst recht die Virtuosität des Ganzen.
BOW, making-of
Ein kleines Making-of Video (Twitter stellt es leider verzerrt dar) zu meinem Geigenstück BOW (Kulturtechno früher)
Motion Tracking for "BOW" for violin and video. Showing today in a workshop at Huddersfield University.https://t.co/aVZQWvCvYV pic.twitter.com/K2qRzvAImi
— Kreidler (@_Kreidler) March 1, 2022