von Anton Wassiljew
Use the graphical representation of the genome of Sars-CoV-2 as a graphic score and create a time-based art work according to it. The numbers in the upper part of the picture (1, 1K, 2K, …, 29903) must be relatively intertpreted as time.
The duration of the art work will not be constricted and is open to preference.
Each colored element is a time-based object, it must be distiguishable from other objects.
Download the score here: https://bit.ly/3pGPDSd
Hatte unlängst schon was davon hier, jetzt noch mehr Transkriptionen von Alexander Liebermann. Das kann nur Neue Musik.
(via Sebastian auf FB)
aus aktuellem Anlass-
"das arme Land Tirol" (Franz Marc 1914) https://t.co/47pA7Ed6JS
— Kreidler (@_Kreidler) February 14, 2021
losing my mind pic.twitter.com/acZLDbXKTy
— 🥳 (@echolaliack) January 30, 2021
The cue mentioned in that essay happens about 1:36 in this video https://t.co/TRtQP8uKON
— kutz (@thesuperkutz) January 30, 2021
— ☂️ Cocktail MD ☂️ (@CocktailMD) January 30, 2021
Wild analysis of Rite of Spring! But now I can't unhear it… https://t.co/GEsHh17sEI
— Nigel M Taylor (@nigelmtaylor) January 25, 2021
A tangible way to make audio visible. Equalizers and simple sub-titles on TV already visualise sound, yet this has also a physical texture. Using an old sewing machine and a car radio as a basis, they conceptualised a prototype, which would take sound input and convert it into a sound wave of thread on textile. A fitting analogy between music production and sweatshop manufacturing.
(via TWMW)
Eine extrem einfache und effektive Art ein klassisches Gedicht zu parodieren, hat übrigens der unbekannte Verfasser der "Nummerierten Bürgschaft" gefunden. Frage mich nach wie vor, warum ich das so witzig finde. pic.twitter.com/2kTOLRFtsg
— Lyriknotizen (@lyriknotizen) January 9, 2021
Code to generate images that use all 16,777,216 RGB colors exactly once, targeting an input image.
by Michael Fogelman.https://t.co/UXLfYUxBbl pic.twitter.com/ARMq6snQe5— Erik Carlson (@rkcrlsn) December 3, 2020
Fotograf Jeff Marmelstein hat jahrelang heimlich Leute beim Texten in der Öffentlichkeit fotografiert- also ihre Inhalte. Spannendes, auch medienethisch provozierendes Projekt.
(Könnte aber auch inszeniert sein.)
You can tell a lot about people from their text messages. Just ask Jeff Mermelstein, a master of modern-day street photography who, for the past three years, has been surreptitiously snapping pictures of New Yorkers’ phone screens on his own iPhone.
(via artnet)