Kulturtechno

Composition No. 5 pic.twitter.com/si1lkiIEm2

— Kreidler (@_Kreidler) March 16, 2023

"Six Sonic Soldier Selfies" (2022)
Part of my exhibition at Kontakte Festival / Akademie der Künste Berlin, September 2022.
Photos by Esther Kochte pic.twitter.com/wzbeJU5BHY

— Kreidler (@_Kreidler) March 15, 2023

"Aura" – On billboards in the city of Stuttgart. Part of the "Ghost Notes" exhibition of Kunststiftung Baden-Württemberg, 2022. Photos by Daniela Wolf pic.twitter.com/dP5FmEkOEA

— Kreidler (@_Kreidler) March 18, 2023

Habe in letzter Zeit mal einiges probiert. Schallwellen auf Papier.

recent drawings
sound waves on paper pic.twitter.com/hNErbb8BPV

— Kreidler (@_Kreidler) March 10, 2023

Letzten Sommer hatte ich in Melbourne die Uraufführung meines Trios für Schlagzeug und Videos „Welcome“ für Speak Percussion. Hier der Trailer zum ganzen Projekt. Video des Stücks kommt noch.

recent drawings
sound waves on paper pic.twitter.com/hNErbb8BPV

— Kreidler (@_Kreidler) March 10, 2023

In der aktuellen Ausgabe der „Positionen“: Ein Essay von Nina Noeske, der sich intensiv mit dem Thema „Geld“ in meiner Arbeit befasst. Darin auch die Transkription eines ulkigen Dialogs zwischen Stefan Fricke und mir im Rahmen meines Stücks Audioguide in Darmstadt 2014.
Dank an Nina und das Positionen Team!

https://www.positionen.berlin/

In the new issue of "Positionen": an essay by @nanoe_ni that looks very intensively at my work on the subject of "money". (in german) Including a zany conversation I had with Stefan Fricke during the music theater piece "Audioguide" 2014 at Darmstadt.https://t.co/Idd3uvQY3q pic.twitter.com/pbpun023qL

— Kreidler (@_Kreidler) February 19, 2023

Das Begleit-Video zu meiner Ausstellung in der Akademie der Künste Berlin letzten September. Hat keinen Ton.

Johannes Kreidler
vvvwvwwvvwvvvwvvvwwwwvvvwvwvvvvvwvvv
Exhibition at Akademie der Künste Berlin 2022
Video of the screening (silent)

vvvwvw… is an acoustic and visual synthesizer that opens up and expands the richness of sound waves, their formal possibilities as well as their symbolism: the wave in the image as a function taken from time, which can be arranged autonomously here; the acoustic periodicity articulated in the beating, the room resonance, the standing sine, which places the sounding natural form in space and is „played“ by the moving listener.
Since Corona, we have been practised in reading wave progressions, following their course and discussing their prognosis. In the work of art, they become the drama of hearing and seeing par excellence.

„Musik machen“ – 33 composers write about how they work. Very nice new book publication @Vexer.
Edited by Désirée Meiser, Matthias Schmidt and Anja Wernicke. With my contribution „Arbeiten an der Minimierung“.

https://vexer.ch/products/musik-machen

"Musik machen" – 33 composers write about how they work. Very nice new book publication @Vexer. Edited by Désirée Meiser, Matthias Schmidt and Anja Wernicke. With my contribution "Arbeiten an der Minimierung".https://t.co/7iVWt6zfcq pic.twitter.com/nXFXRGlJ7e

— Kreidler (@_Kreidler) January 28, 2023

„Sound waves pressing into the air“
(ongoing series)
Bürgermeisterhaus Essen
Part of the concert-exhibition „vvvwwvwvwvvvvwwvvvwwwvvvwwww“ with E-MEX Ensemble December 2022

"Sound waves pressing into the air"
(ongoing series)
Bürgermeisterhaus Essen
Part of the concert-exhibition "vvvwwvwvwvvvvwwvvvwwwvvvwwww" with E-MEX Ensemble December 2022 pic.twitter.com/S4dfo61Qly

— Kreidler (@_Kreidler) January 13, 2023

pic.twitter.com/H0Bh5wJ24v

— Kreidler (@_Kreidler) January 13, 2023

pic.twitter.com/tp2jO8GVm7

— Kreidler (@_Kreidler) January 13, 2023