(via PhilosophyMatters auf FB)
Siehe auch: L’Origine de la guerre
Kategorie Siege der Aufklärung
The Women Composer Database
Schön – eine Liste mit (schon) über 3000 Namen.
https://docs.google.com/spreadsheets/d/1vD-hWsQYvi6j-6NP_HCLRtmLKdPX08IXmCOeAPV7ESY/edit?usp=sharing
Hintergründe: https://adaptistration.com/2018/01/02/an-operational-women-composers-database/
(via usernamealreadyexists)
Language influences music harmony perception
Ein Longread für die Feiertage, Thema das mir zentral ist: Die Wahrnehmungsbeziehungen von Musik und Sprache, oder anders gesagt: von Klang und Konzept.
Abstract
Many studies have revealed shared music–language processing resources by finding an influence of music harmony manipulations on concurrent language processing. However, the nature of the shared resources has remained ambiguous. They have been argued to be syntax specific and thus due to shared syntactic integration resources. An alternative view regards them as related to general attention and, thus, not specific to syntax. The present experiments evaluated these accounts by investigating the influence of language on music. Participants were asked to provide closure judgements on harmonic sequences in order to assess the appropriateness of sequence endings. At the same time participants read syntactic garden-path sentences. Closure judgements revealed a change in harmonic processing as the result of reading a syntactically challenging word. We found no influence of an arithmetic control manipulation (experiment 1) or semantic garden-path sentences (experiment 2). Our results provide behavioural evidence for a specific influence of linguistic syntax processing on musical harmony judgements. A closer look reveals that the shared resources appear to be needed to hold a harmonic key online in some form of syntactic working memory or unification workspace related to the integration of chords and words. Overall, our results support the syntax specificity of shared music–language processing resources.
Instrumente für Behinderte
Hatte hier mal die Flöte für einarmige Kriegsinvaliden –
Hier gibt es eine Website über Instrumente speziell für physisch Behinderte:
http://www.ohmi.org.uk/
Playable Instruments
Abby Flute – In 2013, Clarence J ‘Woody’ Wood built a right-hand only flute and stand. Information on how to build this instrument is publically available to download via www.artglassensembles.com/page/abbyfluteandstand
Amorea Flute – A simple wooden instrument based on the Native American flute but played entirely with one-hand. The Amorea Flute is available to buy directly from www.amoreaflutes.com
Borzillire Saxophone – This left handed saxophone was created by Brian Russell for a stroke sufferer. Brian is based in Wisconsin, US and has much experience customising woodwind instruments. www.russellwinds.com
Hegels Geschichtsphilosophie am einfachen Beispiel
Quantitative Zunahmen, die zu qualitativen Sprüngen führen.
(via kfm)
History of the entire world
Ein launiges Video zur Bewegung der „Big History“. Die ganz große Relativierung tut in diesem Gräuelscheiß, der vor allem im nahen Osten angerichtet wird, doch ganz gut.
Neue Musik im Disko-Remix
Vorgestern hatte ich hier den Ferneyhough-Disco-Bonanza, in den Facebook-Kommentaren wurde ich noch auf folgendes Piece von Jesper Andersen alias Gogaîn hingewiesen.
Contains samples from
Brian Ferneyhough: Lemma-Icon-Epigram
Spillet af Lukas Huisman
Youtube
0’30Iannis Xenakis: Jonchaies
Luxemborg Filharmonikerne
Arturo Tamayo (conductor)
Timpani Records
1C1158Manel Ribera Torres: Des Tupies dans l’insinuation
Spillet af Ensemble Martinu
Pladeselskab: Ars Harmonica
AH181
0’40Richard Ayres: No. 37b: IV. Exit
Frankfurt Radio Symphony Orchestra
Roland Kluttig (Conductor)
NMC Recordings
NMC D162Chaya Czernowin
The last leaf
Peter Veale
MusikFabrik Label