Kulturtechno

We’ve seen a gazillion startups using OpenAI APIs to do “co-pilot for X”. What’s next?

Enter *physical* co-pilot! Here’s a compelling demo: you improvise by playing a “low resolution” piano, and the co-pilot compiles it real-time to Hi-Fi music! It unleashes our inner pianist.🧵 pic.twitter.com/wQEch37mi5

— Jim Fan (@DrJimFan) February 13, 2023

Sowas habe ich schon 2006 gemacht!:

We’ve seen a gazillion startups using OpenAI APIs to do “co-pilot for X”. What’s next?

Enter *physical* co-pilot! Here’s a compelling demo: you improvise by playing a “low resolution” piano, and the co-pilot compiles it real-time to Hi-Fi music! It unleashes our inner pianist.🧵 pic.twitter.com/wQEch37mi5

— Jim Fan (@DrJimFan) February 13, 2023

http://www.kreidler-net.de/werke/5programmierungen.htm

In 1930, the union of American singers spent the equivalent of $10m on a campaign to stop people from listening to recorded music and watching movies with sound. 1/ pic.twitter.com/3RYcgB9KjV

— Dror Poleg (@drorpoleg) December 28, 2022

When films were silent, theatres employed local musicians to accompany each screening. But once films gained a soundtrack, local musicians were no longer necessary.

The economic implications were significant: 2/ pic.twitter.com/NmBDvUUOEd

— Dror Poleg (@drorpoleg) December 28, 2022

The advent of records, radio, and talking films made creative work scalable:

"300 musicians in Hollywood supply all the 'music' offered in thousands of theatres. Can such a tiny reservoir of talent nurture artistic progress?" 5/ pic.twitter.com/jgov4fmuOU

— Dror Poleg (@drorpoleg) December 28, 2022

Interactive Topography Sandbox [1000 x 600] pic.twitter.com/33enSpJiV0

— Epic Maps 🗺️ (@Locati0ns) August 20, 2023