Wo wir beim Mund sind…
Da wäre eine konzeptuelle Inszenierung von Hamlet, bei der alle Schauspieler, na, ihr ahnt es.
(via BoingBoing)

Wo wir beim Mund sind…
Da wäre eine konzeptuelle Inszenierung von Hamlet, bei der alle Schauspieler, na, ihr ahnt es.
(via BoingBoing)
Berlin <3 pic.twitter.com/oKn14HTuHF
— Katharin (@Whitey_chan) 6. Januar 2016
Früher auf Kulturtechno: Fotos von Türklingeln
Ich bin schon am komponieren…
Babypod is a small intravaginal device. Scientific studies show that is the only one that stimulates the vocalization of babies before birth through music and encourages their neural development. With Babypod, the strongest bond starts through music and inside the belly. It will be the first shared experience between a mother and her baby and the child’s first musical and learning experience.
Babypod is the only product of its kind scientifically guaranteed. It has been tested and approved by Institut Marquès, an internationally renowned centre in Gynaecology, Obstetrics and Assisted Reproduction. For parents, it is also an unforgettable and exciting experience and the first shared with your baby. Quite a show.
Give your baby a universal stimulus, send a message from the womb and make sure it is heard.
Wo wir bei Visualisierungen sind…
In 1929, the Russians produced their first talkie, the snappily titled The Five Year Plan for Great Works. The possibility of synchronized sound inspired a trio of pioneers, composer Arseny Avraamov, animator Mikhail Tsihanovsky and engineer Evgeny Sholpo who were fascinated by the curved loops, arcs and waveforms on the optical soundtrack. The patterns made them wonder if synthetic music could be created by drawing directly onto the sound track. Of course, this they did, at first testing out vase-shapes and ellipses then Egyptian hieroglyphs—all with startling results.
In 1930, Avraamov produced (possibly) the first short film with a hand-drawn synthetic soundtrack.
(via Dangerous Minds)
Irgendjemand bezahlt dafür eine Domain. Vielleicht ist es ja Kunst?
http://www.kammerton.de/index1.html
(via Sixtus)