Schöne Arbeiten von Sebastian Precht.
Siehe auch: Album
Teresa Margolles hat 2003 Seifenblasen aus der Luft eines Leichenschauhauses verbreitet.
“In the main hall of the museum, soap bubbles are churned into the air by simple, easily purchasable machines. An installation of ethereal beauty, En el aire (In the Air, 2003) turns on us with shocking vengeance when we learn that the water in these soap bubbles comes from the morgue and has been used to clean the dead bodies prior to autopsy.
Einfach toll, LB.
Louise Bourgeois, Rain Falling on Water, 2003 https://t.co/bmkTjTC9ei #museumarchive #museumofmodernart pic.twitter.com/Ef2Igx3402
— Louise Bourgeois (@artistbourgeois) August 21, 2021
Auch ich saß in meiner Jugend den ganzen Nachmittag vor der MTV-Glotze. Es war mit das beste, was TV je geschafft hat.
(via kfm)
Gavin Edwards hat es getan; ähnlich hatte ich hier schon Kirill Shirokov.
Und von mir gibt es ein Stück namens The gap between two pieces of music.
Well, I cut together an hour-long cassette tape that was sufficiently its own thing that a quarter-century later, I’m still not sure what to call it. It did have a name, which was Having Fun On Stage With Everybody. It answered the previously unasked question „What would a live concert album sound like with all the songs taken out?“
I dubbed two copies and sent them to my friends Rob Sheffield and Ted Friedman. And I figured that was about the natural size of its audience.
(via kfm)
Sebastian Precht meint es ernst mit Seth Kim Cohen und der Non-Cochlearity.
Könnte man auch als Gebot formulieren: Du sollst mit deiner Musik nicht das Trommelfell anderer Menschen reizen.