{"id":9434,"date":"2012-12-14T05:51:22","date_gmt":"2012-12-14T03:51:22","guid":{"rendered":"http:\/\/www.kulturtechno.de\/?p=9434"},"modified":"2012-12-11T19:54:35","modified_gmt":"2012-12-11T17:54:35","slug":"algorithmische-musik-1650","status":"publish","type":"post","link":"https:\/\/www.kulturtechno.de\/?p=9434","title":{"rendered":"Algorithmische Musik, 1650"},"content":{"rendered":"<p><a href=\"http:\/\/spookyandthemetronome.files.wordpress.com\/2011\/10\/kircher_automatic_composer.jpg?w=590&#038;h=593\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/spookyandthemetronome.files.wordpress.com\/2011\/10\/kircher_automatic_composer.jpg?w=590&#038;h=593\" class=\"alignnone\" width=\"500\" height=\"501\" \/><\/a><\/p>\n<blockquote><p>\nAthanasius Kircher was one of the first to use combinatorial procedures to mechanize musical composition.  In 1650, he described a box containing wooden strips covered with sequences of numbers and rhythmic values; by selecting and combining sequences on these strips according to Kircher\u2019s rules, anyone \u2013 even those with no musical knowledge \u2013 could compose a hymn in four-part counterpoint.  Kircher called this box his \u201carca musarithmica,\u201d or \u201cmusic-making ark,\u201d and presented it at as a musical marvel to astound his royal patrons.<\/p><\/blockquote>\n<p>(via <a href=\"http:\/\/spookyandthemetronome.wordpress.com\/tag\/athanasius-kircher\/\">Spooky &#038; the Metronome<\/a>)<\/p>\n<p>+++++++++++++<br \/>\nAphorismen des Tages:<\/p>\n<p>&nbsp;<\/p>\n<p>Milieu Musikp\u00e4dagogik<\/p>\n<p>Sitzordnung auf der Klaviatur<\/p>\n<p>Alternativen nach Differenzierung<\/p>\n<p>Erfahrung wurde Orchester<\/p>\n<p>Metier Heidegger<\/p>\n<p>Des Komponisten notwendigstes Nachtprogramm<\/p>\n<p>Baudelaire Tonikaparallele Vorteil<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Athanasius Kircher was one of the first to use combinatorial procedures to mechanize musical composition. In 1650, he described a box containing wooden strips covered with sequences of numbers and rhythmic values; by selecting and combining sequences on these strips according to Kircher\u2019s rules, anyone \u2013 even those with no musical knowledge \u2013 could compose [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-9434","post","type-post","status-publish","format-standard","hentry","category-technologik"],"_links":{"self":[{"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/9434"}],"collection":[{"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9434"}],"version-history":[{"count":1,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/9434\/revisions"}],"predecessor-version":[{"id":9435,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/9434\/revisions\/9435"}],"wp:attachment":[{"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}