{"id":4310,"date":"2011-04-30T05:45:39","date_gmt":"2011-04-30T03:45:39","guid":{"rendered":"http:\/\/www.kulturtechno.de\/?p=4310"},"modified":"2011-04-29T10:35:12","modified_gmt":"2011-04-29T08:35:12","slug":"hohepunkte-der-musikalischen-quantifizierung","status":"publish","type":"post","link":"https:\/\/www.kulturtechno.de\/?p=4310","title":{"rendered":"H\u00f6hepunkte der musikalischen Quantisierung"},"content":{"rendered":"<p>Heute: Die vokale Metal-Skala.<\/p>\n<p><iframe loading=\"lazy\" width=\"500\" height=\"314\" src=\"http:\/\/www.youtube.com\/embed\/5gUcnUjhRX0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Ganz so spa\u00dfig ist die Sache f\u00fcr den Avantgarde-Komponisten nicht; Quantisierung \/ Notation von Ger\u00e4uschen aller Art ist seit Dekaden ein Problem der Neuen Musik. <a href=\"http:\/\/komposition.system.at\/musik.html\">Arno L\u00fccker<\/a> zum Beispiel hat in &#8222;ich [&#8230;] nicht&#8220; mit Kotzger\u00e4uschen komponiert, streng in f\u00fcnf H\u00f6hen differenziert und rhythmisch exakt festgelegt (<a href=\"http:\/\/komposition.system.at\/musik\/Arno_Luecker_Ich_nicht.pdf\">Partitur<\/a>). Kotz!<\/p>\n<p><a href=\"http:\/\/www.kulturtechno.de\/images\/kotz.jpg\" rel=\"lightbox[4310]\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/www.kulturtechno.de\/images\/kotz.jpg\" class=\"alignnone\" width=\"323\" height=\"160\" \/><\/a><\/p>\n<p>(<a href=\"http:\/\/www.misterhonk.de\/blog\/18505\/death-metal-vocal-exercises\/\">via misterhonk<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Heute: Die vokale Metal-Skala. Ganz so spa\u00dfig ist die Sache f\u00fcr den Avantgarde-Komponisten nicht; Quantisierung \/ Notation von Ger\u00e4uschen aller Art ist seit Dekaden ein Problem der Neuen Musik. Arno L\u00fccker zum Beispiel hat in &#8222;ich [&#8230;] nicht&#8220; mit Kotzger\u00e4uschen komponiert, streng in f\u00fcnf H\u00f6hen differenziert und rhythmisch exakt festgelegt (Partitur). Kotz! (via misterhonk)<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[19],"tags":[],"class_list":["post-4310","post","type-post","status-publish","format-standard","hentry","category-theorie"],"_links":{"self":[{"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/4310"}],"collection":[{"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4310"}],"version-history":[{"count":2,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/4310\/revisions"}],"predecessor-version":[{"id":4314,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/4310\/revisions\/4314"}],"wp:attachment":[{"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}