Letztes Jahr hat mich Max Erwin interviewt, es steht online.<\/p>\n
\u00bbFun and Games: A Conversation with Johannes Kreidler\u00ab
\nJohannes Kreidler, Max Erwin<\/p>\nThis conversation is related to the essay by Max Erwin, Cyberbored\/Culture-Jammed: The Short-Circuit of
\nMusical Progress included in Nuove musiche, no. 6, 2019, in the context of the project Writing <–> Technology.
\nComposers 1973-1983 (G. Albert, A. Valle, eds., Nuove musiche, 5-7).<\/p>\nJokes! Jokes are made and then absorbed into our \u2018fun\u2019 society.
\nClaus-Steffen Mahnkopf, at \u2018Forum: Excess\u2019, Lichtenbergschule Mensa, 4 August 2016<\/p>\nEDITOR\u2019S NOTE: In order to remain as up-to-date as possible, this conversation between Max Erwin (M. E.) and the composer Johannes Kreidler (J. K.) has been augmented with jokes from an AI chatbot (AI). This particular chatbot was trained on a dataset of Daily Mail articles describing popular emoji usage by teenagers to ensure the best possible reproduction of relevant, edgy humour. These AI jokes should thus be of a wide interest to those involved in the most cutting-edge of new music and, more broadly, the intersection of art and technology. The interview has been edited for clarity and length.<\/p><\/blockquote>\n