{"id":19041,"date":"2017-05-14T05:25:50","date_gmt":"2017-05-14T03:25:50","guid":{"rendered":"http:\/\/www.kulturtechno.de\/?p=19041"},"modified":"2017-05-08T21:30:19","modified_gmt":"2017-05-08T19:30:19","slug":"ivan-wyschnegradskys-farbscheiben","status":"publish","type":"post","link":"https:\/\/www.kulturtechno.de\/?p=19041","title":{"rendered":"Ivan Wyschnegradskys Farbscheiben"},"content":{"rendered":"<p>Wyschnegradsky, Pionier der Mikrointervallik, hat sich auch mit Syn\u00e4sthetik besch\u00e4ftigt.<\/p>\n<blockquote><p>In the late 1940s, he translated his \u201cultrachromatic\u201d compositions into these mesmerizing rainbow color wheels. He applied the concepts of synesthesia, blurring the line between sound and color. Each cell on these drawings corresponds to a different semitone in his complex musical sequences. If you look closely enough, you can follow the spirals as if it were a melody and \u201clisten\u201d to the scores they represent.<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.slate.com\/content\/dam\/slate\/blogs\/the_vault\/2015\/11\/16\/1ColorWheel.jpg.CROP.original-original.jpg\" rel=\"lightbox[19041]\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/www.slate.com\/content\/dam\/slate\/blogs\/the_vault\/2015\/11\/16\/1ColorWheel.jpg.CROP.original-original.jpg\" class=\"alignnone\" width=\"500\" height=\"207\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.slate.com\/content\/dam\/slate\/blogs\/the_vault\/2015\/11\/16\/2ColorWheel.jpg.CROP.original-original.jpg\" rel=\"lightbox[19041]\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/www.slate.com\/content\/dam\/slate\/blogs\/the_vault\/2015\/11\/16\/2ColorWheel.jpg.CROP.original-original.jpg\" class=\"alignnone\" width=\"500\" height=\"507\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.slate.com\/content\/dam\/slate\/blogs\/the_vault\/2015\/11\/16\/3ColorWheel.jpg.CROP.original-original.jpg\" rel=\"lightbox[19041]\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/www.slate.com\/content\/dam\/slate\/blogs\/the_vault\/2015\/11\/16\/3ColorWheel.jpg.CROP.original-original.jpg\" class=\"alignnone\" width=\"500\" height=\"495\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.slate.com\/content\/dam\/slate\/blogs\/the_vault\/2015\/11\/16\/4ColorWheel.jpg.CROP.original-original.jpg\" rel=\"lightbox[19041]\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/www.slate.com\/content\/dam\/slate\/blogs\/the_vault\/2015\/11\/16\/4ColorWheel.jpg.CROP.original-original.jpg\" class=\"alignnone\" width=\"500\" height=\"495\" \/><\/a><\/p>\n<p>(via <a href=\"http:\/\/www.slate.com\/blogs\/the_vault\/2015\/11\/16\/composer_ivan_wyschnegradsky_s_color_wheels_representing_his_microtonal.html\">slate<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wyschnegradsky, Pionier der Mikrointervallik, hat sich auch mit Syn\u00e4sthetik besch\u00e4ftigt. In the late 1940s, he translated his \u201cultrachromatic\u201d compositions into these mesmerizing rainbow color wheels. He applied the concepts of synesthesia, blurring the line between sound and color. Each cell on these drawings corresponds to a different semitone in his complex musical sequences. If you [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-19041","post","type-post","status-publish","format-standard","hentry","category-museum"],"_links":{"self":[{"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/19041"}],"collection":[{"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19041"}],"version-history":[{"count":2,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/19041\/revisions"}],"predecessor-version":[{"id":19043,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/19041\/revisions\/19043"}],"wp:attachment":[{"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}