{"id":6440,"date":"2012-01-18T05:03:07","date_gmt":"2012-01-18T03:03:07","guid":{"rendered":"http:\/\/www.kulturtechno.de\/?p=6440"},"modified":"2012-01-17T23:52:18","modified_gmt":"2012-01-17T21:52:18","slug":"ai-weiwei-never-sorry","status":"publish","type":"post","link":"http:\/\/www.kulturtechno.de\/?p=6440","title":{"rendered":"Ai Weiwei: Never Sorry"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/18018860?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><br \/>\n&nbsp;<\/p>\n<p>Trailer f\u00fcr die Dokumentation <em><a title=\"Ai Weiwei: Never Sorry\" href=\"http:\/\/www.aiweiweifilm.org\/en\/\" target=\"_blank\">Ai Weiwei: Never Sorry<\/a><\/em>.<\/p>\n<blockquote><p>From 2008 to 2010, Beijing-based journalist and filmmaker Alison  Klayman gained unprecedented access to Ai Weiwei. Klayman documented  Ai\u2019s artistic process in preparation for major museum exhibitions, his  intimate exchanges with family members and his increasingly public  clashes with the Chinese government. Klayman\u2019s detailed portrait of the  artist provides a nuanced exploration of contemporary China and one of  its most compelling public figures.<\/p><\/blockquote>\n<p>Es bleiben nat\u00fcrlich die Stimmen nicht aus, die gegen ihn Stimmung machen: <a href=\"http:\/\/www.nzz.ch\/nachrichten\/politik\/international\/ai_weiwei__kein_wirklicher_regimekritiker_1.10548627.html\">Ai Weiwei &#8211; kein wirklicher Regimekritiker<\/a>.<br \/>\nIch habe das Interview- und Blogbuch gelesen und bin von ihm beeindruckt. Dass er auf dem Kunstmarkt jetzt nat\u00fcrlich hoch gehandelt wird, w\u00fcrde ich nicht ihm vorwerfen.<\/p>\n<p>(via <a href=\"http:\/\/unhappyreadymade.tumblr.com\/post\/12831415518\/trailer-fuer-die-dokumentation-ai-weiwei-never\">unhappy readymade<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Trailer f\u00fcr die Dokumentation Ai Weiwei: Never Sorry. From 2008 to 2010, Beijing-based journalist and filmmaker Alison Klayman gained unprecedented access to Ai Weiwei. Klayman documented Ai\u2019s artistic process in preparation for major museum exhibitions, his intimate exchanges with family members and his increasingly public clashes with the Chinese government. Klayman\u2019s detailed portrait of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-6440","post","type-post","status-publish","format-standard","hentry","category-museum"],"_links":{"self":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/6440"}],"collection":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6440"}],"version-history":[{"count":5,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/6440\/revisions"}],"predecessor-version":[{"id":6779,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/6440\/revisions\/6779"}],"wp:attachment":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6440"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6440"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}