{"id":20415,"date":"2018-09-18T05:07:46","date_gmt":"2018-09-18T03:07:46","guid":{"rendered":"http:\/\/www.kulturtechno.de\/?p=20415"},"modified":"2018-09-17T16:08:59","modified_gmt":"2018-09-17T14:08:59","slug":"anteil-toter-komponisten-an-den-auffuhrungen-des-leipziger-gewandhausorchesters","status":"publish","type":"post","link":"http:\/\/www.kulturtechno.de\/?p=20415","title":{"rendered":"Anteil toter Komponisten an den Auff\u00fchrungen des Leipziger Gewandhausorchesters"},"content":{"rendered":"<p>Bereits Mitte des 19. Jahrhunderts nahm es \u00fcberhand-<br \/>\nAnteil toter Komponisten an den Auff\u00fchrungen des Leipziger Gewandhausorchesters:<\/p>\n<p>zwischen 1781 und 1785: 13%<br \/>\nzwischen 1820 und 1825: 23%<br \/>\nzwischen 1828 und 1834: 39%<br \/>\nzwischen 1837 und 1847: 48%<br \/>\nzwischen 1850 und 1855: 61%<br \/>\nzwischen 1865 und 1870: 76%.<\/p>\n<p>[Quelle: Andreas Dorschel, Was ist musikalische Wertungsforschung?, Jahrbuch des Staatlichen Instituts f\u00fcr<br \/>\nMusikforschung Preu\u00dfischer Kulturbesitz 2004]<\/p>\n<p><a href=\"https:\/\/scontent-ber1-1.xx.fbcdn.net\/v\/t1.0-9\/36397345_10156523340009579_1247156939666751488_o.jpg?_nc_cat=0&#038;oh=64c1169a6018df4b9294f6c90d3d40b8&#038;oe=5C33B968\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"https:\/\/scontent-ber1-1.xx.fbcdn.net\/v\/t1.0-9\/36397345_10156523340009579_1247156939666751488_o.jpg?_nc_cat=0&#038;oh=64c1169a6018df4b9294f6c90d3d40b8&#038;oe=5C33B968\" class=\"alignnone\" width=\"500\" height=\"327\" \/><\/a><br \/>\nGrafik: Thomas Patteson<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bereits Mitte des 19. Jahrhunderts nahm es \u00fcberhand- Anteil toter Komponisten an den Auff\u00fchrungen des Leipziger Gewandhausorchesters: zwischen 1781 und 1785: 13% zwischen 1820 und 1825: 23% zwischen 1828 und 1834: 39% zwischen 1837 und 1847: 48% zwischen 1850 und 1855: 61% zwischen 1865 und 1870: 76%. [Quelle: Andreas Dorschel, Was ist musikalische Wertungsforschung?, Jahrbuch [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[15],"tags":[],"class_list":["post-20415","post","type-post","status-publish","format-standard","hentry","category-kritik-der-reinen-vernunft"],"_links":{"self":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/20415"}],"collection":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20415"}],"version-history":[{"count":2,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/20415\/revisions"}],"predecessor-version":[{"id":20417,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/20415\/revisions\/20417"}],"wp:attachment":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20415"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20415"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}