{"id":19686,"date":"2017-12-14T05:15:22","date_gmt":"2017-12-14T03:15:22","guid":{"rendered":"http:\/\/www.kulturtechno.de\/?p=19686"},"modified":"2017-12-10T11:20:28","modified_gmt":"2017-12-10T09:20:28","slug":"mayke-nas-eroffnungsrede-der-gaudeamus-music-week","status":"publish","type":"post","link":"http:\/\/www.kulturtechno.de\/?p=19686","title":{"rendered":"Mayke Nas&#8216; Er\u00f6ffnungsrede der Gaudeamus Music Week"},"content":{"rendered":"<p>Vielleicht ist wieder eine Zeit besonderer Reden (in der Neuen Musik). Brigitta Muntendorf hat vor drei Jahren in M\u00fcnchen die Stimme erhoben, George Lewis hat in Donaueschingen (im neuen Format der >Donaueschingen Lectures<) einen eindr\u00fccklichen Vortrag gehalten, Mayke Nas sprach zur Er\u00f6ffnung der Gaudeamus Music Week dieses Jahr, der Text steht online:\n\n<a href=\"https:\/\/gaudeamus.nl\/en\/nieuws\/openingsspeech-componist-des-vaderlands-mayke-nas\/\"><br \/>\nhttps:\/\/gaudeamus.nl\/en\/nieuws\/openingsspeech-componist-des-vaderlands-mayke-nas\/<\/a><\/p>\n<p>Snip:<\/p>\n<blockquote><p>But receiving applause is actually one of the most awkward things for the majority of composers. [&#8230;]<br \/>\nTo learn?<br \/>\nTo listen?<br \/>\nTo think?<br \/>\nTo invent?<br \/>\nTo try to catch fleeting dreams?<br \/>\nTo challenge thoughts and opinions?<br \/>\nTo question likes and dislikes?<br \/>\nTo practice patience?<br \/>\nTo look for beauty?<br \/>\nTo look for meaning?<br \/>\nTo dig deep into things that genuinly interest us?<br \/>\nTo face fears?<br \/>\nTo have fun?<br \/>\nTo build new instruments?<br \/>\nTo find new usage for old instruments?<br \/>\nTo take ourselves seriously?<br \/>\nTo take others seriously?<br \/>\nTo further develop a craft that has already been enchanting people for a few hundred years?<br \/>\nTo figure out what comes after post-modernism, post-minimalism, post-eclecticism, festivalism, hipsterism, neo-barbarism or neo-conventialism?<br \/>\nTo change the world?<br \/>\nTo let the world change us?<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Vielleicht ist wieder eine Zeit besonderer Reden (in der Neuen Musik). Brigitta Muntendorf hat vor drei Jahren in M\u00fcnchen die Stimme erhoben, George Lewis hat in Donaueschingen (im neuen Format der >Donaueschingen Lectures<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[15],"tags":[],"class_list":["post-19686","post","type-post","status-publish","format-standard","hentry","category-kritik-der-reinen-vernunft"],"_links":{"self":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/19686"}],"collection":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19686"}],"version-history":[{"count":1,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/19686\/revisions"}],"predecessor-version":[{"id":19687,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/19686\/revisions\/19687"}],"wp:attachment":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19686"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19686"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}