{"id":16288,"date":"2016-01-10T05:11:34","date_gmt":"2016-01-10T03:11:34","guid":{"rendered":"http:\/\/www.kulturtechno.de\/?p=16288"},"modified":"2016-01-04T12:29:16","modified_gmt":"2016-01-04T10:29:16","slug":"publikationen-uber-mein-musiktheater-audioguide","status":"publish","type":"post","link":"http:\/\/www.kulturtechno.de\/?p=16288","title":{"rendered":"Publikationen \u00fcber mein Musiktheater &#8222;Audioguide&#8220;"},"content":{"rendered":"<p><a href=\"http:\/\/www.tandfonline.com\/na101\/home\/literatum\/publisher\/tandf\/journals\/content\/gcmr20\/2015\/gcmr20.v034.i02-03\/gcmr20.v034.i02-03\/20151130-01\/gcmr20.v034.i02-03.cover.jpg\" rel=\"lightbox[16288]\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/www.tandfonline.com\/na101\/home\/literatum\/publisher\/tandf\/journals\/content\/gcmr20\/2015\/gcmr20.v034.i02-03\/gcmr20.v034.i02-03\/20151130-01\/gcmr20.v034.i02-03.cover.jpg\" class=\"alignnone\" width=\"200\" height=\"285\" \/><\/a><\/p>\n<p>In der <a href=\"http:\/\/www.tandfonline.com\/toc\/gcmr20\/current\">aktuellen Ausgabe von Contemporary Music Review<\/a>, die sich dem Thema Musik &#038; Politik widmet, stehen u.a. zwei Aufs\u00e4tze, die sich auch mit meiner Arbeit befassen:<br \/>\n<a href=\"http:\/\/weblog.laurenredhead.eu\/\"><br \/>\nLauren Redhead<\/a> vergleicht <a href=\"http:\/\/www.kreidler-net.de\/werke\/audioguide.htm\">Audioguide<\/a> mit Luigi Nonos <a href=\"https:\/\/de.wikipedia.org\/wiki\/Il_canto_sospeso\">Canto Sospeso<\/a> (1956),<br \/>\n<a href=\"http:\/\/www.federicoreuben.com\/\">Federico Reuben<\/a> betrachtet u.a. Audioguide und die <a href=\"http:\/\/kreidler-net.de\/werke\/donau-aktion.htm\">Instrumentenzerst\u00f6rung in Donaueschingen<\/a>.<br \/>\nBeide Texte sind online:<\/p>\n<p><a href=\"http:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/07494467.2015.1094222#aHR0cDovL3d3dy50YW5kZm9ubGluZS5jb20vZG9pL3BkZi8xMC4xMDgwLzA3NDk0NDY3LjIwMTUuMTA5NDIyMkBAQDA=\">http:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/07494467.2015.1094222#aHR0cDovL3d3dy50YW5kZm9ubGluZS5jb20vZG9pL3BkZi8xMC4xMDgwLzA3NDk0NDY3LjIwMTUuMTA5NDIyMkBAQDA=<\/a><br \/>\n<a href=\"http:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/07494467.2015.1094221#aHR0cDovL3d3dy50YW5kZm9ubGluZS5jb20vZG9pL3BkZi8xMC4xMDgwLzA3NDk0NDY3LjIwMTUuMTA5NDIyMUBAQDA=\"><br \/>\nhttp:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/07494467.2015.1094221#aHR0cDovL3d3dy50YW5kZm9ubGluZS5jb20vZG9pL3BkZi8xMC4xMDgwLzA3NDk0NDY3LjIwMTUuMTA5NDIyMUBAQDA=<\/a><\/p>\n<p>(Siehe auch: Alexander Strauchs <a href=\"http:\/\/blogs.nmz.de\/badblog\/2014\/02\/08\/fremdarbeit-und-a-survivor-from-warsaw-das-moderierte-melodram\/\">Vergleich<\/a> von <a href=\"http:\/\/kreidler-net.de\/fremdarbeit.html\">Fremdarbeit <\/a>und Sch\u00f6nbergs <a href=\"https:\/\/de.wikipedia.org\/wiki\/Ein_%C3%9Cberlebender_aus_Warschau\">Ein \u00dcberlebender aus Warschau<\/a>)<\/p>\n<p>Au\u00dferdem m\u00f6chte ich hinweisen auf den Text <a href=\"http:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/07494467.2015.1094211#aHR0cDovL3d3dy50YW5kZm9ubGluZS5jb20vZG9pL3BkZi8xMC4xMDgwLzA3NDk0NDY3LjIwMTUuMTA5NDIxMUBAQDA=\">Political implications of the material of New Music<\/a> meines Lehrers <a href=\"https:\/\/de.wikipedia.org\/wiki\/Mathias_Spahlinger\">Spahlinger<\/a>, der nun erstmals in englischer Sprache (\u00dcbersetzung: <a href=\"http:\/\/www.alistair-zaldua.de\/wordpress\/\">Alistair Zaldua<\/a>) ver\u00f6ffentlicht ist.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In der aktuellen Ausgabe von Contemporary Music Review, die sich dem Thema Musik &#038; Politik widmet, stehen u.a. zwei Aufs\u00e4tze, die sich auch mit meiner Arbeit befassen: Lauren Redhead vergleicht Audioguide mit Luigi Nonos Canto Sospeso (1956), Federico Reuben betrachtet u.a. Audioguide und die Instrumentenzerst\u00f6rung in Donaueschingen. Beide Texte sind online: http:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/07494467.2015.1094222#aHR0cDovL3d3dy50YW5kZm9ubGluZS5jb20vZG9pL3BkZi8xMC4xMDgwLzA3NDk0NDY3LjIwMTUuMTA5NDIyMkBAQDA= http:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/07494467.2015.1094221#aHR0cDovL3d3dy50YW5kZm9ubGluZS5jb20vZG9pL3BkZi8xMC4xMDgwLzA3NDk0NDY3LjIwMTUuMTA5NDIyMUBAQDA= (Siehe auch: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-16288","post","type-post","status-publish","format-standard","hentry","category-id"],"_links":{"self":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/16288"}],"collection":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16288"}],"version-history":[{"count":4,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/16288\/revisions"}],"predecessor-version":[{"id":16291,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/16288\/revisions\/16291"}],"wp:attachment":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16288"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}