{"id":16222,"date":"2015-12-30T05:28:40","date_gmt":"2015-12-30T03:28:40","guid":{"rendered":"http:\/\/www.kulturtechno.de\/?p=16222"},"modified":"2015-12-26T19:32:54","modified_gmt":"2015-12-26T17:32:54","slug":"handgezeichnete-synthesizerpartituren-russland-1930er40er","status":"publish","type":"post","link":"http:\/\/www.kulturtechno.de\/?p=16222","title":{"rendered":"Handgezeichnete Synthesizerpartituren (Russland 1930er+40er)"},"content":{"rendered":"<p>Wo wir bei Visualisierungen sind&#8230;<\/p>\n<blockquote><p>\nIn 1929, the Russians produced their first talkie, the snappily titled The Five Year Plan for Great Works. The possibility of synchronized sound inspired a trio of pioneers, composer Arseny Avraamov, animator Mikhail Tsihanovsky and engineer Evgeny Sholpo who were fascinated by the curved loops, arcs and waveforms on the optical soundtrack. The patterns made them wonder if synthetic music could be created by drawing directly onto the sound track. Of course, this they did, at first testing out vase-shapes and ellipses then Egyptian hieroglyphs\u2014all with startling results.<\/p>\n<p>In 1930, Avraamov produced (possibly) the first short film with a hand-drawn synthetic soundtrack.<\/p><\/blockquote>\n<p><iframe loading=\"lazy\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/8EGFPZdiVqI\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/YiIB36ZY0WM\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/Z7Zb4rso82M\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/0y-2shMhv0M\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>(via <a href=\"http:\/\/dangerousminds.net\/comments\/listen_to_early_soviet_synthesizer_music_hand_drawn_on_film_and_made_from_c\">Dangerous Minds<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wo wir bei Visualisierungen sind&#8230; In 1929, the Russians produced their first talkie, the snappily titled The Five Year Plan for Great Works. The possibility of synchronized sound inspired a trio of pioneers, composer Arseny Avraamov, animator Mikhail Tsihanovsky and engineer Evgeny Sholpo who were fascinated by the curved loops, arcs and waveforms on the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-16222","post","type-post","status-publish","format-standard","hentry","category-technologik"],"_links":{"self":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/16222"}],"collection":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16222"}],"version-history":[{"count":2,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/16222\/revisions"}],"predecessor-version":[{"id":16224,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/16222\/revisions\/16224"}],"wp:attachment":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16222"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}