{"id":12602,"date":"2014-04-14T05:26:14","date_gmt":"2014-04-14T03:26:14","guid":{"rendered":"http:\/\/www.kulturtechno.de\/?p=12602"},"modified":"2014-04-14T08:53:09","modified_gmt":"2014-04-14T06:53:09","slug":"neuer-konzeptualismus-methoden-5-imaginare-musik","status":"publish","type":"post","link":"http:\/\/www.kulturtechno.de\/?p=12602","title":{"rendered":"Neuer Konzeptualismus &#8211; Methoden 5. Imagin\u00e4re Musik"},"content":{"rendered":"<p><strong>5. imagin\u00e4re Musik<\/strong><\/p>\n<p>Hab jetzt mal all meinen Kram zusammengetragen.<\/p>\n<p>&nbsp;<\/p>\n<p>Seth Kim-Cohen: <a href=\"http:\/\/www.kim-cohen.com\/projects\/tomorrowisthequestion_home.html\">Tomorrow is the question<\/a><\/p>\n<blockquote><p>\nFour ads in the \u201cMusicians\u201d section of the New York City Craigslist describe four non-existent musics.<\/p>\n<p>Post Postpunk<br \/>\nNew No Wave<br \/>\nFreaktronica<br \/>\nDub Folk<br \/>\nTrip Bop<br \/>\nLong-Attention-Span-Music-for-Short-Attention-Span-Times<br \/>\nKraut-Soul\n <\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>#265: Only play mistakes.<\/p>\n<p>&mdash; Text Score A Day (@textscoreaday) <a href=\"https:\/\/twitter.com\/textscoreaday\/statuses\/353153908283154432\">5. Juli 2013<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>#175: Without using an alarm, sleep for exactly the same amount of time for three days in a row.<\/p>\n<p>&mdash; Text Score A Day (@textscoreaday) <a href=\"https:\/\/twitter.com\/textscoreaday\/statuses\/320344131115311104\">6. April 2013<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Der Klang eines in sich zusammenbrechenden L\u00fcgengeb\u00e4udes.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/439153096250638336\">27. Februar 2014<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>H\u00f6r dir eine einst\u00fcndige Aufnahme von wei\u00dfem Rauschen an. Schneide danach deine Lieblingsstellen zu einer einmin\u00fctigen Collage zusammen.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/399049028908118016\">9. November 2013<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Alle Beethovensonaten ohne die kleinste Pause hintereinander, und danach alle Wagneropern hintereinander, ohne die kleinste Pause.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/439153196154748928\">27. Februar 2014<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Eines Tages f\u00e4ngt die Turmuhr fr\u00fch nicht wieder bei 1 an, sondern f\u00fcgt jede volle Stunde einen weiteren Schlag hinzu, ad infinitum.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/409976629025198080\">9. Dezember 2013<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Ein Orchesterst\u00fcck, bestehend aus s\u00e4mtlichen Beispielen aus dem Orchestrierungsbuch von Berlioz\/Strauss.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/402773066041679872\">19. November 2013<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Stell dir beim H\u00f6ren einer Beethovensonate vor, alle hohen T\u00f6ne w\u00e4ren tief und alle tiefen T\u00f6ne w\u00e4ren hoch.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/379148052277108736\">15. September 2013<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Sound des Tages: Das Knacken der DAX-8500-Punkte-Marke.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/337227140401606657\">22. Mai 2013<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Die Facebook-AGBs vertonen.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/337608442875359236\">23. Mai 2013<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Instrumentiere Punkmusik f\u00fcr Viola da Gamba, Theorbe und Clavichord.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/338191594039676928\">25. Mai 2013<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Einem chinesischen Komponisten die Aufgabe geben, die &quot;Todesfuge&quot; von Paul Celan zu vertonen.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/340141286277386240\">30. Mai 2013<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Das Ger\u00e4usch und der Rhythmus des Auktionshammers.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/439153274164617216\">27. Februar 2014<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.kreidler-net.de\/kulturtechno-files\/mem-diskurs\/mem24.jpg\" rel=\"lightbox[12602]\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/www.kreidler-net.de\/kulturtechno-files\/mem-diskurs\/mem24.jpg\" class=\"alignnone\" width=\"480\" height=\"480\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Popmusik als Wei\u00dfes Rauschen h\u00f6ren, Wei\u00dfes Rauschen als Popmusik h\u00f6ren.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/439153369345953793\">27. Februar 2014<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Spiele, solange Gott nicht erscheint, einen Akkord.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/305322754893307904\">23. Februar 2013<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Stelle die Relation von Ontologie-Transzendenz-Verantwortung mittels dreier Rhythmen dar.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/439153493405081600\">27. Februar 2014<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.kreidler-net.de\/kulturtechno-files\/mem-diskurs\/mem5.jpg\" rel=\"lightbox[12602]\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/www.kreidler-net.de\/kulturtechno-files\/mem-diskurs\/mem5.jpg\" class=\"alignnone\" width=\"480\" height=\"368\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Vertone den Text \u201eOde an die Freude\u201c von Friedrich Schiller.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/439153561734504448\">27. Februar 2014<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Ein Klavierst\u00fcck, gespielt von der unsichtbaren Hand des Marktes.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/439153623378190336\">27. Februar 2014<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Ein Crescendo, das nie mehr aufh\u00f6rt.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/307450197527629824\">1. M\u00e4rz 2013<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>\u201eAlles, was wir wissen, wissen wir durch die Massenmedien.\u201c (Luhmann) Widerlege diese Aussage am Klavier oder auf der Harfe.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/306002363980861440\">25. Februar 2013<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Die Vorstellung, dass &quot;F\u00fcr Elise&quot; die Summe zweier gleichzeitig gespielter St\u00fccke ist.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/306497388690956288\">26. Februar 2013<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Rauschen, geteilt in 2\/3\/4\/5\/6&#8230; Teile.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/439153711055912960\">27. Februar 2014<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Wei\u00dfes, m\u00e4nnliches, heterosexuelles Rauschen.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/289137708369072128\">9. Januar 2013<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>An dieser Stelle soll der Musiker B\u00f6rsenkrach machen.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/439153899103350784\">27. Februar 2014<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.kreidler-net.de\/kulturtechno-files\/spektral.gif\" rel=\"lightbox[12602]\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/www.kreidler-net.de\/kulturtechno-files\/spektral.gif\" class=\"alignnone\" width=\"503\" height=\"205\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.kreidler-net.de\/kulturtechno-files\/bach.gif\" rel=\"lightbox[12602]\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/www.kreidler-net.de\/kulturtechno-files\/bach.gif\" class=\"alignnone\" width=\"507\" height=\"128\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.kreidler-net.de\/kulturtechno-files\/schools.gif\" rel=\"lightbox[12602]\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/www.kreidler-net.de\/kulturtechno-files\/schools.gif\" class=\"alignnone\" width=\"502\" height=\"424\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Alle schlechten Stellen in Beethovens 9. Symphonie verbessern.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/424580990611124224\">18. Januar 2014<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Alle Konzepte des Fluxus Workbooks, \u00fcbereinandergeschrieben.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/439153980326019072\">27. Februar 2014<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" lang=\"de\">\n<p>Provoziere so viel Applaus wie m\u00f6glich.<\/p>\n<p>&mdash; Johannes Kreidler (@_Kreidler) <a href=\"https:\/\/twitter.com\/_Kreidler\/statuses\/439154037477625857\">27. Februar 2014<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.kulturtechno.de\/?p=12472\">Link zum Anfangspost der Reihe: Definitionen und \u00dcbersicht<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>5. imagin\u00e4re Musik Hab jetzt mal all meinen Kram zusammengetragen. &nbsp; Seth Kim-Cohen: Tomorrow is the question Four ads in the \u201cMusicians\u201d section of the New York City Craigslist describe four non-existent musics. Post Postpunk New No Wave Freaktronica Dub Folk Trip Bop Long-Attention-Span-Music-for-Short-Attention-Span-Times Kraut-Soul &nbsp; #265: Only play mistakes. &mdash; Text Score A Day [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[19],"tags":[25],"class_list":["post-12602","post","type-post","status-publish","format-standard","hentry","category-theorie","tag-neuerkonzeptualismus"],"_links":{"self":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/12602"}],"collection":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12602"}],"version-history":[{"count":11,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/12602\/revisions"}],"predecessor-version":[{"id":12918,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/12602\/revisions\/12918"}],"wp:attachment":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12602"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}