{"id":11716,"date":"2013-12-31T05:17:55","date_gmt":"2013-12-31T03:17:55","guid":{"rendered":"http:\/\/www.kulturtechno.de\/?p=11716"},"modified":"2013-12-15T21:03:00","modified_gmt":"2013-12-15T19:03:00","slug":"elf-konzeptuelle-stucke","status":"publish","type":"post","link":"http:\/\/www.kulturtechno.de\/?p=11716","title":{"rendered":"Zw\u00f6lf konzeptuelle St\u00fccke"},"content":{"rendered":"<p>Wie immer am Jahresende fasse ich kleinere konzeptuelle Arbeiten zusammen. 2010 waren es <a href=\"http:\/\/www.kreidler-net.de\/werke\/vier-konzeptuelle-stuecke.htm\">vier konzeptuelle St\u00fccke<\/a>, 2011 <a href=\"http:\/\/www.kreidler-net.de\/werke\/zwei-konzeptuelle-stuecke2011.htm\">zwei<\/a>, 2012 <a href=\"http:\/\/www.kreidler-net.de\/werke\/fuenf-konzeptuelle-stuecke.htm\">f\u00fcnf<\/a>, heuer sind es <a href=\"http:\/\/www.kreidler-net.de\/werke\/zwoelf-konzeptuelle-stuecke.htm\">zw\u00f6lf konzeptuelle St\u00fccke<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Das Subjekt-Objekt-Problem<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/-Yrz8C6BIEc\" allowfullscreen=\"\"\nframeborder=\"0\" height=\"253\" width=\"450\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/LfAKDuORk0M\" allowfullscreen=\"\"\nframeborder=\"0\" height=\"253\" width=\"450\"><\/iframe><\/p>\n<p>&nbsp;<br \/>\n&nbsp;<\/p>\n<p><strong>Mention of Rhythm in the Introduction, perhaps<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/i7WjsRWKGco\" allowfullscreen=\"\"\nframeborder=\"0\" height=\"253\" width=\"450\"><\/iframe><\/p>\n<p>&nbsp;<br \/>\n&nbsp;<\/p>\n<p><strong>Trauermusik f&uuml;r Boris Becker<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.kreidler-net.de\/Images\/trauermusik.jpg\" height=\"219\" width=\"450\"><\/p>\n<p>&nbsp;<br \/>\n&nbsp;<\/p>\n<p><strong>Shed<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/gMG1H5BI1hA\" allowfullscreen=\"\"\nframeborder=\"0\" height=\"253\" width=\"450\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/L24tKwUjz9w\" allowfullscreen=\"\"\nframeborder=\"0\" height=\"253\" width=\"450\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Schwarzes Quadrat<\/strong><\/p>\n<p>Dieses Jahr feiert das <a href=\"http:\/\/de.wikipedia.org\/wiki\/Das_Schwarze_Quadrat\">Schwarze Quadrat<\/a> von Kasimir Malewitsch<br \/>\nhundertsten Geburtstag. Dazu habe ich ein kleines Musikst&uuml;ck<br \/>\ngemacht, eine klangliche Umsetzung desselben:<\/p>\n<p>&nbsp;<\/p>\n<p>Das Quadrat erklingt als Rechteckschwingung (\u201cSquare Wave\u201d);<br \/>\ndie Farbe \u201cSignalschwarz\u201d hat den <a href=\"http:\/\/de.wikipedia.org\/wiki\/RAL-Farbsystem\">CIEL-Wert<\/a><br \/>\n28.66, darum als Frequenz<br \/>\n28.66 Hertz;<br \/>\n<a href=\"http:\/\/ablinger.mur.at\/ww7_square.html\">die Frage nach der<br \/>\nDauer<\/a>, die Peter Ablinger f&uuml;r ein klingendes<br \/>\nQuadrat gestellt hat, beantworte ich subjektiv mit 8 Sekunden.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/82939274\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>New Complexity Fountain<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/nDWqfFNVAsE\" allowfullscreen=\"\"\nframeborder=\"0\" height=\"253\" width=\"450\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/MMZfO86QTqs\" allowfullscreen=\"\"\nframeborder=\"0\" height=\"253\" width=\"450\"><\/iframe>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/uTuxDWcPwYU\" allowfullscreen=\"\"\nframeborder=\"0\" height=\"253\" width=\"450\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Kubismus<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/SuWaIzuOeOk\" allowfullscreen=\"\"\nframeborder=\"0\" height=\"253\" width=\"450\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>True Type Font Music<\/strong><\/p>\n<p>\nJoseph von Eichendorff\u2019s Gedicht \u201cMondnacht\u201c, dargestellt in TrueType<br \/>\nFonts mit musikalischen Notationselementen, als Notenbl&auml;tter.\n<\/p>\n<p>\nHier die Versionen in den Fonts<br \/>\n<a href=\"mondnacht-boulez.pdf\">Boulez<\/a><br \/>\n<a href=\"mondnacht-concreta.pdf\">Concreta<\/a><br \/>\n<a href=\"mondnacht-controla.pdf\">Controla<\/a><br \/>\n<a href=\"mondnacht-engraverfontset.pdf\">EngraverFontSet<\/a><br \/>\n<a href=\"mondnacht-engravertext.pdf\">EngraverText<\/a><br \/>\n<a href=\"mondnacht-farhat-accordes.pdf\">FarHat-Accordes<\/a><br \/>\n<a href=\"mondnacht-maestropercussion.pdf\">Maestro Percussion<\/a><br \/>\n<a href=\"mondnacht-sonora.pdf\">Sonora<\/a><br \/>\n<a href=\"mondnacht-toccata.pdf\">Toccata<\/a><br \/>\n<a href=\"mondnacht-woodwind-tablature.pdf\">Woodwind Tablature<\/a>\n<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.kreidler-net.de\/Images\/mondnacht-toccata.gif\" height=\"692\" width=\"450\"><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Duration of Silence<\/strong><\/p>\n<p>\nSimon &amp; Garfunkel, \u201cSound of Silence\u201d, stretched to 4\u201933\u201d duration.\n<\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/109847040\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Depeche Mode, \u201cEnjoy the Silence\u201d (2004 version), stretched to 4\u201933\u201d<br \/>\nduration.\n<\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/109847318\"><\/iframe><\/p>\n<p>&nbsp;<br \/>\n&nbsp;<\/p>\n<p><strong>ASFSP<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/h5-Yo328Rp4\" allowfullscreen=\"\"\nframeborder=\"0\" height=\"338\" width=\"450\"><\/iframe><\/p>\n<p>&nbsp;<br \/>\n&nbsp;<br \/>\n<strong><br \/>\nBack in C<\/strong><\/p>\n<p>Transposition back to C of Seth Kim-Cohen\u2019s Transposition to D (\u201c<a href=\"href=\"http:\/\/www.kim-cohen.com\/projects\/InD_home.html\">In<br \/>\nD<\/a>\u201c) of Terry Riley\u2019s piece \u201cIn C\u201d.\n<\/p>\n<p><a href=\"https:\/\/archive.org\/download\/BackInC\/back-in-c.mp3\">Recording<\/a><\/p>\n<p>&nbsp;<br \/>\n&nbsp;<\/p>\n<p><strong>Crescendo and Ritardando Compositions<\/strong><\/p>\n<p><iframe loading=\"lazy\" width=\"500\" height=\"281\" src=\"\/\/www.youtube.com\/embed\/bB10optHwaI\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"500\" height=\"281\" src=\"\/\/www.youtube.com\/embed\/akId0hfhQUM\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wie immer am Jahresende fasse ich kleinere konzeptuelle Arbeiten zusammen. 2010 waren es vier konzeptuelle St\u00fccke, 2011 zwei, 2012 f\u00fcnf, heuer sind es zw\u00f6lf konzeptuelle St\u00fccke. &nbsp; &nbsp; Das Subjekt-Objekt-Problem &nbsp; &nbsp; &nbsp; Mention of Rhythm in the Introduction, perhaps &nbsp; &nbsp; Trauermusik f&uuml;r Boris Becker &nbsp; &nbsp; Shed &nbsp; &nbsp; &nbsp; Schwarzes Quadrat Dieses [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-11716","post","type-post","status-publish","format-standard","hentry","category-id"],"_links":{"self":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/11716"}],"collection":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11716"}],"version-history":[{"count":13,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/11716\/revisions"}],"predecessor-version":[{"id":11722,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=\/wp\/v2\/posts\/11716\/revisions\/11722"}],"wp:attachment":[{"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11716"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kulturtechno.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}